Paul: Now, I know what you’re thinking. “Oh, Jesus! That looks like the lovechild of a maths textbook and hotel room art. I’m not having that in my house.”
Hold on. The Castles of Burgundy, which casts 2-4 players as the holders of estates in medieval France, has the whole board game community bleating with quiet joy. We absolutely had to get hold of a copy and try it out. You know what? I actually think it’s quite special, too, although I appreciate it’s such a placid, thoughtful, deeply European game that it won’t be Quinns’s kind of thing. Still-
Quinns: No, no, I really like it.
Paul: You do?
Quinns: Yeah, it’s excellent.
Paul: But-
Quinns: And here’s why!
If you’re one of the people looking at her Kickstarter money with stars in your eyes and awesome plans of your own in your head, ask yourself first: Have you put in the time? Earned the credibility? Scoped out the financial balance sheet? Made the commitment to fulfill every single thing you have promised?
Palmer has. If you haven’t — on any of this — be aware that your results, shall we say, may vary.
| — |
John Scalzi explains the ups and downs and behind-the-scenes of how you do a successful Kickstarter and what the money means. Whether you’re interested in Amanda’s Kickstarter or not, this one should be required reading for anybody interested in how it works, what it is, and what you want to do if you want the same results… (via neil-gaiman) —- Reglubbing this ‘cause I’m seeing a lot of unwarranted hate for Kickstarter lately. Dudes, seriously: 1. it’s a system that allows patronage *and* a way around the dinosaur of traditional publishing models, which means more artists have a chance to get their work out there, 2. the artist very publicly puts their professional and social cred on the line, and 3. no one’s making you back anything, ffs, not any more than Amazon makes you buy a product simply by carrying it. Sheesh. (via bigbigtruck) |
it’s time to reblog frank zappaFrank Zappa & Captain Beefheart, “The Muffin Man”
from Bongo Fury (Live at the Armadillo World Headquarters) (1975)
GURRRRL YOU THOUGHT HE WAS A MAN BUT HE WAS A MUFFIN
Yes.
Bobwhite is a good comic and you should read it
(I reread the first few strips today)
edit: link fixed
These are all pretty fantastic. And pleasantly spooky!These updated and animated archival photos are made by Kevin Weir over at Flux Machine. They remind me of Terry Gilliam’s animations for Monty Python, with a bit of the bizarre spookiness of Travis Louie.
woooaaah
Super ladiesscloutier submitted:
I have made it all make sense.
We now have, clockwise from top left:
1) the scenario going on between the aliens depicted by the original artist, which was not actually a fight scene at all, but a desperate attempt to cooperate despite the mind-controlling tentacle creatures attached to their heads.2) the original art.
3) what a fight scene between Artemis and Diana might look like, on a cliff in the moonlight in a temperate summer rainforest.
4) a context in which the poses of the aliens make sense for human characters.
I love all of this.
Me too. Awesome.
Blue waves produced by bioluminescent phytoplankton: Vaadhoo Island in the Maldives, Florida Everglades, and Lakshadweep Islands off India.
*___*
“My Hero”
My entry for the first Anthology Project book.
I’d suggest picking both up. There are some incredibly entries in there by some amazing artists.
What fantastic work. Jeeze.
Brown Bird, “Fingers to the Bone”
from Salt for Salt (2012)
Found these guys at random in the SXSW lineup, listened to the sample track, was impressed as hell, and wound up buying their whole album on Bandcamp.
oh hey, this particular track is available free from their bandcamp (guess that’s what you meant by sample track, durrrrrrrrrr).




